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Luca Casagrande – “Pene, non mi lasciate” – Cantata per Basso e Basso Continuo – Giovanni Legrenzi (1626 – 1690) – WORLD PREMIERE RECORDING by Luca

Luca Casagrande – “Pene, non mi lasciate” – Cantata per Basso e Basso Continuo – Giovanni Legrenzi (1626 – 1690). Centaurus Music Int. LIVE Recording “Giovanni Legrenzi – Antonio Cesti – Amore e Virtù – Cantate” – ℗ 2007 Recorded LIVE in the S. Giorgio in Corneno – Eupilio (CO) – (I). – Luca Casagrande […]

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Luca Casagrande – “Insegnatemi a morire” – Cantata a Voce sola e Basso Continuo – Antonio Cesti (1623 – 1669) – WORLD PREMIERE RECORDING by Luca

Luca Casagrande – “Insegnatemi a morire” – Cantata a Voce sola e Basso Continuo – Antonio Cesti (1623 – 1669).   Centaurus Music Int. Studio Recording “Antonio Cesti – Cantate” – ℗ 2004 Remastered edition ℗ 2013 Luca Casagrande Baritone M.° Sarah Dieci Harpsichord Artistic Director and Producer Luca Casagrande © Luca Casagrande. – “Insegnatemi […]

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Anna Caterina Antonacci – “Intorno all’idol mio…Ohimè, non son più mia…Dormi, dormi, ben mio” Aria of Orontea, Queen of Egypt – “L’Orontea” (1656) II Act XVIII Scene – Antonio Cesti (1623 – 1669) by Luca

Anna Caterina Antonacci – “Intorno all’idol mio … Ohimè, non son più mia … Dormi, dormi, ben mio” Aria of Orontea, Queen of Egypt – “L’Orontea” (1656) II Act XVIII Scene (Critical edition by Francesco Lora) – Antonio Cesti (1623 – 1669).   LIVE Recording in Bruxelles (B) the May 15, 2014 Accademia degli Astrusi […]

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Teresa Berganza – “Intorno all’idol mio” Aria of Orontea, Queen of Egypt – “Orontea” (1656) II Act XVIII Scene – Antonio Cesti (1623 – 1669) by Luca

Teresa Berganza – “Intorno all’idol mio” Aria of Orontea, Queen of Egypt – “Orontea” (1656) II Act XVIII Scene – Antonio Cesti (1623 – 1669). With Renato Cesari as Gelone. – LIVE Recording – “Antonio Cesti – L’Orontea” – March 02, 1970 Orchestra “Alessandro Scarlatti”della RAI di Napoli (I) M.° Bruno Bartoletti Conductor Revised version […]

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“La Poppea Impasticciata” or, Who Wrote the Music to “L’Incoronazione” (1643)? – BY ALAN CURTIS (excerpts) by Luca

LIKE SO MUCH TRADITIONALLY ACCEPTED in formation both right and wrong on mid-seventeenth century Venetian opera, the attribution to Monteverdi of the musical setting of Busenello’s L’incoronazione di Poppea stems largely from a source originating long after the composer’s and librettist’s demise. Thomas Walker (1976) has shown that this source, Cristoforo Ivanovich’s Minerva al tavolino […]

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