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Luca Casagrande – “Tiranna ingrata che far dovrò” – Cantata a voce sola di Basso, Due Violini e Basso Continuo – Alessandro Scarlatti (1660 – 1725) by Luca

Luca Casagrande – “Tiranna Ingrata che far dovrò” – Cantata a voce sola di Basso, Due Violini e Basso Continuo – Alessandro Scarlatti (1660 – 1725). Centaurus Music Int. Studio Recording – “Alessandro Scarlatti – Tiranna Ingrata – Cantate – Tre Sonate per Due Violoncelli” – ℗ 1997 Remastered in 2009 – Second edition ℗ […]

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Maria Carla Curìa – “Andate, o miei Sospiri, al Cor d’Irene” – Cantata per Soprano e Basso Continuo WORLD PREMIERE RECORDING – Alessandro Scarlatti (1660 – 1725) by Luca

Scarlatti wrote: “Altra Cantata fatta con difficoltà, ma regolata cromatico” and “Non è per tutti i Professori” (A very difficult cantata, not for all the musicians and singers.) This cantata belongs to a group of three that were the result of a friendly competition between Gasparini and A. Scarlatti, as can be seen from f. […]

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Luca Casagrande – “L’ amor mio” (Unplugged version) – Aria da camera – Gaetano Donizetti (1797 – 1848) by Luca

“L’ amor mio” – Aria da camera – Gaetano Donizetti (1797 – 1848). Centaurus Music Int. Studio Recording “Gaetano Donizetti – Melodie da camera” – ℗ 2016 Recorded the June 29, 2015 at the “Accademia di Musica e Danza F. Gaffurio” – Lodi (I). Baritone Luca Casagrande Piano M.° Fulvia Leone Artistic Director & Producer […]

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L’amor mio – Aria da camera – Gaetano Donizetti (1797 – 1848) by Luca

L’amor mio – Aria da camera – Gaetano Donizetti (1797 – 1848). Centaurus Music Int. Studio Recording “Gaetano Donizetti – Melodie da camera” – ℗ 2016 Recorded the June 29, 2015 at the “Accademia di Musica e Danza F. Gaffurio” – Lodi (I). Baritone Luca Casagrande Piano M.° Fulvia Leone Artistic Director & Producer Luca […]

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FROM EFFEMINATO TO VIRTUOSO: GENDER PATTERNS IN ALESSANDRO SCARLATTI’S TELEMACO (1718) – by Bruno Forment by Luca

Few books can claim both the popularity and controversiality of Les Aventures de Télémaque, a novel written in 1694-8 and published in 1699 by François Pons de Salignac, Comte de la Mothe-Fénelon (1651-1715). Envisaged by its author as a sequel to Homer’s Odyssea, Télémaque offers the account of a young warrior’s quest for his long-lost […]

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Alessandro Scarlatti (1660 – 1725) – “Telemaco” (“Il Telémaco”) Opera in Three Acts (1718) – Full version by Luca

Alessandro Scarlatti (1660 – 1725) – “Telemaco” (“Il Telémaco”) Opera in Three Acts (1718) Recorded the June 11, 2005 in Schwetzingen (Austria) at the Rokokotheater Schwetzinger Festspiele 2005. – Balthasar-Neumann-Ensemble M.° Thomas Hengelbrock Conductor. – Cast: Sylvia Hamvasi, soprano (Minerva) Elisabeth Kulman, soprano (Antiope [Erifile]) Netta Or, soprano (Silvina) Johanna Stojkovic, soprano (Calipso) Mariselle Martinez, […]

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Alessandro Scarlatti (1660 – 1725) – “Telemaco” (Il Telémaco”) (1718) Act III Scene IX – Quartetto (“à 4” in the original manuscript) Calipso – Erifile – Telemaco – Sicoreo “Sdegno, Amor, Destino o Sorte” – Recitative “Regina, ad altro tempo rimetti lo Sdegno” and “à 4” again. by Luca

Alessandro Scarlatti (1660 – 1725) – “Telemaco” (Il Telémaco”) (1718) Act III Scene IX – Quartetto (à 4 in the original manuscript) Calipso – Erifile – Telemaco – Sicoreo “Sdegno, Amor, Destino o Sorte” – Recitative “Regina, ad altro tempo rimetti lo Sdegno” and “à 4” again. Johanna Stojkovic – Elisabeth Kulman – Corby Welch […]

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Elisabeth Kulman- “Telemaco” (“Il Telémaco” in the original manuscript) – (1718) “Melodramma in Tre Atti” by Alessandro Scarlatti (1660 – 1725) – Aria of Erifile (Antiope) “Occhi miei, deh, non piangete” III Act I Scene by Luca

Elisabeth Kulman – “Telemaco” (“Il Telémaco” in the original manuscript) – (1718) “Melodramma in Tre Atti” by Alessandro Scarlatti (1660 – 1725) – Aria of Erifile (Antiope) “Occhi miei, deh, non piangete” III Act I Scene. LIVE recorded the June, 11 2005 in Schwetzingen (Ö) at the Rokokotheater – Schwetzinger Festspiele 2005. – Balthasar-Neumann-Ensemble M.° […]

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