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LA CORTE E LA FILOSOFIA – Agostino Steffani’s “Marco Aurelio” – By Luca Casagrande by Luca

M. Rostovzev, uno dei massimi studiosi del mondo antico, traccia nel suo Storia economica e sociale dell’Impero Romano un quadro molto accurato delle condizioni economiche dell’Impero Romano nell’età degli Antonini, attestanti un grado di benessere mai raggiunto prima d’allora. Rostovzev deduce tuttavia dalle antiche fonti, conclusioni molto ottimistiche sulla vita politica e culturale del tempo. […]

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Luca Casagrande – “Marco Aurelio” (1681) – “Son Tradito e pur non sò” – Aria of Marco Aurelio – I Act III Scene – Agostino Steffani (1654 – 1728) by Luca

“Marco Aurelio” (1681) – “Son Tradito e pur non sò” – Aria of Marco Aurelio – I Act III Scene – Agostino Steffani (1654 – 1728). Luca Casagrande Baritone Scarlatti Camera Ensemble Artistic Director and Producer Luca © CD Centaurus Music ® ℗ – “Agostino Steffani – La Corte e la Filosofia – Arie da […]

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Loretta Liberato – “Fino à quando hò da penare” – II Act Scene IX – “Sia maledetto Amor” – III Act I Scene Arias of Lucio Vero – “Marco Aurelio” (1681) – Agostino Steffani (1654 – 1728) by Luca

“Marco Aurelio” (1681) – Agostino Steffani (1654 – 1728). 1. “Fino à quando hò da penare” – II Act Scene IX 2. “Sia maledetto Amor” – III Act I Scene Arias of Lucio Vero Loretta Liberato Alto Scarlatti Camera Ensemble Artistic Director and Producer Luca Casagrande © CD Centaurus Music ® ℗ – “Agostino Steffani […]

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Luca Casagrande – “Marco Aurelio” (1681) II Act XVI Scene – “Non sò mai cosa sarà” – Aria of Marco Aurelio – A. Steffani (1654 – 1728) by Luca

“Marco Aurelio” (1681) II Act XVI Scene – “Non sò mai cosa sarà” – Aria of Marco Aurelio – A. Steffani (1654 – 1728). Luca Casagrande Baritone Scarlatti Camera Ensemble Artistic Director and Producer Luca Casagrande © CD Centaurus Music ® ℗ – “Agostino Steffani – La Corte e la Filosofia – Arie da Marco […]

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“Niobe, Regina di Tebe” (1688) – Extract – Agostino Steffani (1654 – 1728) – Live at Royal Opera House London Covent Garden – Sept. 2010. by Luca

“Niobe, Regina di Tebe” – Extract – Agostino Steffani (1654 – 1728) – Live at Royal Opera House London Covent Garden – Sept. 2010. Balthasar Neumann Ensemble M.°Thomas Hengelbrock Conductor Lukas Hemleb Director Cast Véronique Gens – Jacek Laszczkowski – Amanda Forsythe – Iestyn Davies.

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Agostino Steffani (1654 – 1728) – Ouverture & Rondeau from “Henrico Leone” (1689) by Luca

Agostino Steffani (1654 – 1728) – Ouverture & Rondeau from “Henrico Leone” (1689). Capella Agostino Steffani conducted by M.° Lajos Rovatkay – 1986. “Henrico Leone” (also “Enrico Leone”) is an opera (“dramma per musica”) in three acts composed by Agostino Steffani to an Italian libretto by Ortensio Mauro. Based on the life of the powerful […]

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Agostino Steffani (1654 – 1728) “Sonate da Camera à Tre, due Violini, Alto e Basso” (1705) – Sonata II “Ouverture de l’Opera Henricus Leo” by Luca

Agostino Steffani (1654 – 1728) “Sonate da Camera à Tre, due Violini, Alto e Basso” (1705) – Sonata II “Ouverture de l’Opera Henricus Leo”. Scarlatti Camera Ensemble Artistic Director and Producer Luca Casagrande © CD Centaurus Music ® – 2000 – Complete World Premiere. Second edition Concerto ℗ – Naxos – 2008. 01. Ouverture de […]

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Nathalie Stutzmann – Alto – “Furibondo spira il vento” Aria of Arsace – “Partenope” (HWV 27) – Georg Friedrich Händel by Luca

Nathalie Stutzmann – Alto – “Furibondo spira il vento” Aria of Arsace – “Partenope” (HWV 27) – Georg Friedrich Händel – Libretto after Silvio Stampiglia – First performance: 24th February 1730, King’s Theatre – London. Cast Partenope – Anna Maria Strada del Pò (Soprano) Arsace – Antonio Maria Bernacchi (Alto-castrato) Rosmira – Antonia Maria Merighi […]

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Erich Kleiber conducts Händel’s “Berenice, regina d’Egitto” (HWV 38) – Ouverture – NBC Symphony Orchestra – 3 March 1946 LIVE in New York by Luca

Erich Kleiber conducts Händel’s “Berenice, regina d’Egitto” (HWV 38) – Ouverture – NBC Symphony Orchestra – 3 March 1946 LIVE in New York. “Handel’s health suffered it’s first major setback during the spring of 1737. He had been overworking in his attempts to build an audience in the face of the challenge presented by the […]

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